On Set

Every problem we fix in post was cheaper to solve on the day.

So sometimes we come to the shoot. Green screens lit for the composite they are going to become, coverage checked against a cut that does not exist yet, VFX plates captured on purpose instead of improvised at two in the morning three weeks later. That is what on-set supervision from a post team is actually for. When a project needs full production, we work hand in hand with BE*, our sister production studio: same standards, same way of treating people, its own team and its own house.